a world too wide for his shrunk shank

His youthful hose, well sav'd, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. The speech uses the stage, where actors present their plays, as a metaphor for a human life. It also brings forth memories of the Black Death which depopulated much of Europe during the Middle Ages.The Castle represents man's efforts to prevent death. Jacques' view of the seven stages of man is bleak, reinforcing the melancholic quality of his character. Is second childishness and mere oblivion. His youthful hose, well saved, a world too wide For his shrunk shank, and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. His youthful hose, well saved, a world too wide / For his shrunk shank . His youthful hose, well saved, a world too wide For his shrunk shank, and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Even in the cannon’s mouth. Sonnet 19: Devouring Time, blunt thou the lion's paws. In fair round belly with good capon lined, While it is tempting to read the seventh stage as death, in the metaphor, death would be an exit from the stage, rather than an act occurring on the stage. The poem presents a somewhat nihilistic, hopeless view of life. His youthful hose, well saved, a world too wide For his shrunk shank, and his big manly voice, Turning again toward childish treble, pipes And whistles in his* sound. Last scene of all, That ends this strange eventful history, . For his shrunk shank; and his big manly voice, With the partial exception of the Sonnets (1609), quarried since the early 19th century for autobiographical secrets allegedly encoded in them, the nondramatic writings have traditionally been pushed... And all the men and women merely players; They have their exits and their entrances; And one man in his time plays many parts. Full of strange oaths, and bearded like the pard, Instead, the seventh act is extreme old age, a second helplessness, the first being the “mewling and puking” infant in the nurse’s arms. Jacques, renowned for his cynical wit, immediately responds by blowing this conceit out of proportion. Last scene of all. According to Jacques, man essentially plays seven parts in his lifetime: There is no rhyme scheme, however the whole poem is in Shakespeare’s signature iambic pentameter. Quick in quarrel, shrunk shank, and turning toward are among the many instances of alliteration in this poem. Absent this list is the Sun, which in terms of orbital period falls between Venus and Mars. The part of the leg between the knee and the ankle. Jacques borrows this conceit from Duke Senior, who remarks after learning of Orlando’s misfortunes that, This wide and universal theatre The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose, and pouch on side, His youthful hose well sav'd, a world too wide, For his shrunk shank, and his big manly voice, Turning again towards childish Meatfrom that part of an animal. As the song bio says, the seven stages are the helpless infant, the whining schoolboy, the emotional lover, the devoted soldier, the wise judge, the old man still in control of his faculties, and the extremely aged, returned to a second state of helplessness. It’s tempting, given this, to identify the Seventh Age with the Sun, in whose brightness the specific qualities of the light of an individual candle (metaphorically, the qualities of the individual self) are completely lost… “sans teeth, sans eyes, sans taste, sans everything.”. Even in the cannon’s mouth. Plays, such as the one (As You Like It) from which this was taken, were one of the only art forms targeted to appeal not only to the aristocracy, but to the general public living in London, England in the late 16th century. At first the infant, The sixth age shifts With spectacles on nose and pouch on side; His youthful hose, well sav’d, a world too wide. We might note that this monologue follows the ancient order of the planetary spheres. Made to his mistress’ eyebrow. (ornithology, colloquial) A redshank or greenshank, various species of Old World wading birds in the genus Tringahaving distinctly colored legs. Therefore, if the life is seen as a play, each age that he describes is a different “act” in the “play.” (Plays are typically divided into large divisions called “acts,” which then can be divided into smaller sections called “scenes.”), The Seven Ages of Man (”All the world’s a stage”), And then the whining schoolboy, with his satchel. Regardless of wealt… And so he plays his part. The handle of a pair of shears, con… His youthful hose, well sav’d, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. The soldier seeks to distinguish himself, to earn a reputation that will inflate his status, “even in the cannon’s mouth” – which is to say, even facing the mouth of death. A man can’t play the part of a dead person, but rather with death leaves the stage. That ends this strange eventful history, Song of the Witches: “Double, double toil and trouble”, Sonnet 15: When I consider everything that grows. And then the lover, Sighing like furnace, with a woeful ballad. From the rather mocking speech about the Ages of Man, in Shakespeare’s AS YOU LIKE IT - it’s actually 2 thoughts and your quote has missed some of the key text: 1. The fifth age of man is the justice, or judge. Sighing like furnace, with a woeful ballad A straight, narrow part of an object, such as a key or an anchor; shaft; stem. His youthful hose, well sav'd, a world too wide For his shrunk shank Hose is legwear, like very long stockings that go right up to your crotch. At first the infant, And then the whining school-boy, with his satchel, And shining morning face, creeping like snail. And whistles in his sound. While William Shakespeare’s reputation is based primarily on his plays, he became famous first as a poet. And all the men and women merely players; 1.1. The world is represented metaphorically as a stage, and humans are compared to the actors who work upon it. Reputation is described as a “bubble.” This might be understood as an inflation, a puffing up. Read Jonathan ROBIN poem:Alas! The Red Death symbolizes the inevitability of death. Is second childishness and mere oblivion, Shrunk shank--shank being his body--has shrunk--lost weight. In the old planetary cosmology, the sphere beyond Saturn was the divine realm, the realm of the stars. Read the lines from "all the world's a stage" and answer the question. A straight, narrow part of an object, such as a key or an anchor; shaft; stem. 5. At first, the infant, Mewling and puking in the nurse's arms. Esimerkit His youthful hose, well saved, a world too wide / For his shrunk shank. And then the lover, The handle of a pair of shears, connecting Then a soldier. His youthful hose, well saved, a world too wide For his shrunk shank, and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Sonnet 18: Shall I compare thee to a summer’s day? Unwillingly to school. And then the justice. Jealous in honor, sudden and quick in quarrel, his youthful hose, well saved, a world too wide for his shrunk shank, and his big manly voice, turning again toward childish treble, pipes and whistles in his sound. Frailty is a condition associated with ageing, and it has been recognized for centuries. Is second childishness and mere oblivion; Sans teeth, sans eyes, sans taste, sans everything. Mewling and puking in the nurse’s arms; Last scene of all, That ends this strange eventful history, As You . Turning again toward childish treble, pipes Marouane Chamakh then spurned a great chance to kill the game off when he ran onto Andrey Arshavin's lofted through ball but shanked his shot horribly across the face of goal. This is also considered a monologue, lyric poem, or narrative poem. A straight, narrow part of an object, such as a key or an anchor; shaft; stem. Wherein we play in. His voice has deepened to manly now--a world too wide for him--the world is sorta passing him by now--he is getting old. [DUKE SENIOR] On a related note, the Seventh Age, the dissolution in which all characteristics are lost, has no planet. Last scene of all, Unwillingly to school. Each of the roles played by man at some age corresponds to a planetary personality, beginning with the Moon. And then the justice, His youthful hose, well saved, a world too wide For his shrunk shank, and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. His youthful hose well sav'd, a world too wide, For his shrunk shank, and his big manly voice, Turning again towards childish treble, pipes And whistles in his sound. In fair round belly with good capon lined. All the world’s a stage, 1599, William Shakespeare, As you like it: 1.1.1. His youthful hose, well sav’d, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. His youthful hose, well saved, a world too wide For his shrunk shank, and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. With eyes severe and beard of formal cut, With spectacles on nose and pouch on side; What hope remains? His acts being seven ages. His youthful hose, well saved, a world too wide / For his shrunk shank . And one man in his time plays many parts, And whistles in his sound. They have their exits and their entrances, Frailty is a common geriatric syndrome that embodies an elevated risk of catastrophic declines in health and function among older adults. The monologue is centered on a conceit comparing life to a play. How does the alliteration of the "s" sound affect the meaning? shank (plural shanks) 1. Made to his mistress’ eyebrow. Jealous in honour, sudden and quick in quarrel. His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Side & wide are end rhymes, and mewling & puking are an example of internal slant rhyme in this monologue. Full of strange oaths, and bearded like the pard. His youthful hose, well saved, a world too wide / For his shrunk shank[…] (II.7) 2. The Welfare State, Wrought through the years of blood, sweat, toil and tears, Of suffering and strife, to some appears. Even while it’s impossible to know why William Shakespeare wrote anything, we might note that this monologue follows the ancient order of the planetary spheres. A World Too Wide For His Shrunk Shank After Shakespeare Jacques Seven Ages Of Man Poem by Jonathan ROBIN. Sans teeth, sans eyes, sans taste, sans everything. Then a soldier, His youthful hose, well saved, a world too wide His youthful hose, well sav'd, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes. Although there is no specific disease with the exact symptoms described in the story, critics believe the disease's description has elements of tuberculosis, a disease which killed many of those close to Poe. With eyes severe and beard of formal cut, And so he plays his part. 3. Full of wise saws and modern instances; His acts being seven ages. This order is determined by orbital period, from shorter to longer: Moon (the mewling infant in Nurse’s arms), Mercury (the schoolboy), Venus (the lover), Mars (the soldier), Jupiter (the round-bellied justice), Saturn (the old man). Seeking the bubble reputation Welcome. [JACQUES] And then the whining schoolboy, with his satchel In fair round belly with good capon lin’d. His youthful hose, well saved, a world too wide For his shrunk shank, and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. All the world's a stage, And all the men and women merely players; They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages. His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. His youthful hose, well saved, a world too wide For his shrunk shank, and his big manly voice, Turning again toward childish treble, pipes And whistles in his His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. In William Shakespeare’s As You Like It, the sad Jacques delivers these lines as a monologue in Act II, Scene vii. His youthful hose, well saved, a world too wide For his shrunk ....."his youthful hose..a world too wide for his shrunk shank" the hose [leg coverings] he wore when he was young are now far too wide/loose for his skinny, shrunken legs - his leg muscles have shrunk, his clothes are hanging loosely off him. His youthful hose, well saved, a world too wide For his shrunk shank, and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Meat from that part of an animal. Presents more woeful pageants than the scene Last scene of all, That ends this strange eventful history, And shining morning face, creeping like snail Each of the roles played by man at some age corresponds to a planetary personality, beginning with the Moon. Into the lean and slippered pantaloon, 4. Meat from that part of an animal. His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. Read the lines from "All the World's a Stage" and answer the question. His youthful hose, well saved, a world too wide For his shrunk shank, and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound.” The sixth age, according to the speaker is the entry of the The handle of a pair of shears, connecting His youthful hose, well saved, a world too wide For his shrunk shank, and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. His voice is even making different sounds The soldier in the fourth stage is seeking exactly the inflation of status achieved by the Justice in the fifth. The sixth age shifts.

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