dynaudio evoke 50 review

Unfortunately, I can't audition them side by side. The ability for a loudspeaker to mimic the spoken voice of someone you know well is a lot harder than you’d imagine, yet I’m happy to report that when one channel of a Dynaudio’s Evoke 50 was reproducing a mono home recording of the dulcet tones of my nearest and dearest, I could easily have sworn she was right there in the room with me. And that midrange driver is a newly-developed model with an overall diameter of 150mm, a moving diameter (that is, the diameter of the cone and roll surround) of 120mm and a Thiele/Small diameter of 115mm. You likely haven’t heard of it because all loudspeaker manufacturers prefer to keep very quiet about Doppler distortion because all of them sell speakers that suffer from it. This gives Dynaudio unprecedented control over the entire manufacturing process—there are very, very few loudspeaker manufacturers in the world that make all the drivers that are used in their speakers. Gebruik ze in stereo. If we are standing on a railroad station, and a train approaches us with its whistle blowing, we will hear the whistle as a higher frequency while the train is approaching, at its ‘proper’ (lower) frequency when the train is alongside us, and at an even-lower frequency when the train is moving away from us. Please refresh the page and try again. I'm looking to get new speakers and have these Dynaudio Evoke 20s and B&W 705 signatures shortlisted. What you can’t see in the photograph of the front of the Dynaudio Evoke 50s is the single—and absolutely humongous!—bass reflex port that is located on the rear panel of each cabinet, quite low down, but above the single set of speaker terminals. Dynaudio Evoke 50, Musical Fidelity A3.5, Denon X4200W Original Poster 1 year ago. The sonorities Hardy creates with his 1793 Guadagnini are ear-opening: the warmth of the instrument is exceptional, yet never so warm that you can’t hear the perfection of his vibrato. At least your review shows that the optimal placement is attainable. New generation with the amazing Dynaudio tweeter. De Dynaudio Evoke 50 die ik voor deze review in huis kreeg is het topmodel in de nieuwe Evoke serie die begin dit jaar op de markt verscheen. The highest frequencies are beautifully extended, but not so extended that they become glassy, or bright. Sweet Highs and Mids completely fatigue free for hours of pure listening pleasure. We’re beyond thrilled about this incredibly detailed review on our Evoke 50 by hifi.nl. Of course midrange isn’t the sole domain of the human voice, and the midrange sound was also clearly superior when reproducing violin, guitar… essentially any instrument playing in the three octaves above middle C. Check any orchestral instrument frequency range chart and you’ll discover that there are a lot of them! Af udseende er Evoke 20 umiskendeligt Dynaudio, men med mere afrundede hjørner end på tidligere serier. The low-frequency response of the Dynaudio Evoke 50 that Newport Test Labs has shown in Graph 3 shows the output from the bass-reflex port without any bung at all (red trace) and with the half-bung fitted. That this is the case speaks volumes for not only the quality of Dynaudio’s drivers, but for the company’s quality control and testing procedures as well, because you can’t deliver this type of performance with ‘off the shelf’ drivers… they’re just not matched closely enough. This one has it all. Now think about a bass/midrange driver that has to produce both bass and midrange sounds because the particular cabinet in which it’s fitted does not have a midrange driver. You can see that without the bung, peak output is a bit above 40Hz, itself just a bit above the bass drivers’ minima at 38Hz. The speakers themselves feel very substantial and well put together. Optional Powered Sub: Add a Dynaudio powered subwoofer ( Sub 3 / Sub 6 - sold separately) for deeper, bigger bass response and a more immersive experience from your 2ch stereo or multichannel home theater Evoke system. Use them in stereo. In all three-way designs, such as the Dynaudio Evoke 50, in the previous scenario the bass drivers will be producing the 20Hz tone, moving back and forth freely without having to deliver the 1,000Hz tone, and the midrange driver will be reproducing the 1,000Hz tone at exactly 1,000Hz, with no frequency variations at all. The Cerotar tweeter, which makes its debut in Evoke. In the centre of the Evoke 50 tweeter’s magnet is a specially-shaped vent and behind that magnet, a larger rear chamber. Come In On a High Note Evoke 50 features Dynaudios newest tweeter: Cerotar. It’s made entirely of plastic and although it’s flared where it exits the cabinet, the same isn’t the case at the entrance of the port, inside the cabinet. The 15cm unit they chose is derived directly from the high-end Contour range – which means a powerful neodymium magnet, a 0.4mm-thin diaphragm and a glass-fibre voice-coil former with a trademark Dynaudio aluminium voice-coil. The cones of the bass drivers are made from Dynaudio’s famous single-piece thermoplastic cone (which Dynaudio calls MSP, for Magnesium Silicate Polymer) where the dustcap is moulded in one piece with the cone, and the roll surrounds are made from rubber, which is a much more durable material than the foam that’s often used for the purpose. It not only covers a thorough analysis and comparison of every single technical aspect of Evoke to our previous and other models, but also includes positioning and speaker placement advice and long listening sessions. Lastly, the impedance is fairly high at very low frequencies, and above 700Hz essentially continues to rise, so the Dynaudio Evoke 50 should be compatible with all modern Class-D amplifier designs, as well as conventional Class-AB designs. The new tweeter also benefits from the tweeter Dynaudio designed for its ‘Special 40’ speaker, an anniversary model specifically developed to celebrate Dynaudio’s forty years in the loudspeaker business. And, just in case you were wondering, you can safely play music while the pucks are attached… just don’t expect to hear any high frequencies! That said, the response is not super-flat within these dB limits, with definite lifts to above the ‘reference’ SPL (85dB) at around 1kHz (only minor) and around 3–6kHz (also minor). The spatial representation was of an unbelievably high level, even when there was no tuning with sliding and turning. Fabulous sound, with super-extended, effortless bass, superb midrange and transparent highs, along with stereo imaging to die for. Please note, this is the most rudimentary comparison possible. Great news! Future Publishing Limited Quay House, The Ambury, Please deactivate your ad blocker in order to see our subscription offer. The section of the trace below 900Hz is the averaged result of nine individual frequency sweeps measured at a distance of three metres, with the central grid point of the microphone on-axis with the tweeter, so one measurement is made with the mic aimed directly at the tweeter, another with the mic higher, another with it lower, another with it off to one side, another with it off to the other, and so on, until nine traces have been acquired, after which they’re averaged via post-processing. This driver has a flat response, and its response rolls off nicely above and below its passband. When would you use them? – Conversely, bass limitation noticeable due to excellent presence slightly higher up. Dynaudio Evoke 50 Loudspeakers EVOKE 50 - MAKE A STATEMENT. The Dynaudio Evoke 50 is available in two different high-gloss painted finishes (high-gloss white and high-gloss black) and two different synthetic wood finishes: walnut and blonde. But back to that bass, it was so powerful that I half-checked the cabinets to see if they were rocking back and forth as a result of the driver excursion, but no… the cabinets were rock solid back and forth with no movement at all—no doubt thanks to those outrigger feet, which are far more effective at delivering front/back stability than they are delivering side/side stability. Click here for more information about Australian Hi-Fi, including details on how to subscribe. The Cerotar tweeters with the Hexis dome, in combination with the beautiful mid-toner, gave a very generous and audible spatial image far beyond the speakers. You can see that for this trace, taking 95dBSPL as the 0dB reference point, the response extends from 900Hz to 22kHz ±2.5dB. The cabinet itself is quite tall—standing 1160mm high when its four outrigger feet are fixed underneath it. Virtual Show on Saturday 24th April. ", "Voices had body, which made the "being there" sensation a lot bigger. I guess that Dynaudio intends that the salespeople should leave the pucks in place whenever the speakers are not actually being demonstrated, and removed only for listening sessions. True, they have always been a pleasure to listen to – but the new Confidence 50 … Excellent design. Hexis er taget direkte fra de nyeste Contour- og Confidence-serier og findes ikke i andre Dynaudio … Will 3D audio be the next big thing in podcasts? It will arrive in other markets in April. De Dynaudio Evoke 50 is een vloerstaande 3-weg basreflex luidspreker geschikt voor grotere ruimtes. As for the magnet itself, that’s one of the major differences between it and the Esotar3. You will need these outrigger feet, too, because without them the cabinet is a little unstable and quite easy to tip over, because it’s so tall and narrow. Als een paar Dynaudio Evoke 50's in een kamer geen intentieverklaring is, wat is het dan wel. These days, there are fewer salespeople on showroom floors, and many customers (particularly children) feel the need to ‘poke’ drivers (particularly tweeters) when no-one’s looking, so with fewer salespeople to control out-of-control customers, it’s likely that increasing numbers of tweeters are being damaged. The rear of the Dynaudio Evoke 50, with bass reflex port and terminals. Jacques Brel sang his "Jojo" for me alone. It’s only when the cone is midway through producing the 20Hz signal that we will hear the correct frequency of exactly 1,000Hz. It’s almost the same up to 400Hz after which the response of the upper-most driver rolls off quite dramatically to trough at 550Hz before rising. ", "I was almost literally blown away by a tiny Dynaudio Evoke 10 at a hi-fi trade fair at the end of last year and when I applied for testing the Evoke 50, a certain expectation formed within me. If you use just the outer ring, you simply reduce the size of the port. The graph shows the high-frequency response with the speaker grille off (black trace) and on (red trace). Visit our corporate site. Unusually for a driver of this size, the voice-coil is driven by a neodymium magnet, which seems to suggest that the design may be a variant of the midrange driver Dynaudio uses in its Contour range. This way it not only gets better pricing—and a big say in quality control—but it can also have those capacitors and resistors branded ‘Dynaudio’ rather than with the name of the original manufacturer. The blue trace shows one bass driver’s response when the port is fully blocked, resulting in a sealed (infinite baffle) enclosure and you can see that at 60Hz, instead of rolling off, the response extends linearly downwards at around 12dB/octave, as theory would predict. This website uses cookies to ensure you get the best experience. Dynaudio has launched Evoke - a new, five-strong family of passive hi-fi speakers designed to bring true high-end technology, build-quality, and luxurious finishes to every kind of lifestyle. Don't take this for more than what it is. The Evoke 50 is a three way floorstanding speaker from the new Evoke range combining cutting-edge technology directly from the Contour and all-new Confidence ranges. I had another question about Dynaudio in general, and other soft-dome tweeter speakers. Nonetheless I would thus expect the sound to have a very slight forward character at these frequencies. That’s how Doppler distortion affects loudspeakers, and it is present in ALL two-way loudspeakers. So, as I said before I digressed to make that very important point, I was fully expecting the midrange of the Dynaudio Evoke 50 to be the stand-out sonic feature of the design. View all reviews, videos, ratings and awards for dynaudioevoke20bookshelfspeaker. Although all the models in the new Evoke range use the same tweeter, the Evoke 50 is the only model in the range that has a dedicated midrange driver. But there are many advanced technical designs hidden behind the Evoke 50. Home. IT may arguably be easier to build a cost-no-object speaker than a mid-range model. Graph 7 shows the performance of both bass drivers and the midrange driver. Speakers come in big brown cardboard boxes short on special opening experiences. Dynaudio Evoke 50 Prijs per stuk. For more extreme bass reduction, fit the complete plug so that the port is blocked.’ I say this is simplistic because when you block the port completely you will certainly get a reduction in the level of upper bass, but you may find that you also get a slight lift in the level of the extremely low bass. Use them as part of an Evoke multi-channel home cinema system. Only one that I don’t think will affect anyone who’s looking at buying a pair of Dynaudio Evoke 50s, which is that to make the bass delivery truly lifelike and the midrange really sing, you’re going to need an amplifier that will happily drive low-impedance loads, preferably right down to 2Ω. If the speakers have been set up correctly, nothing will change: the performers will stay exactly in their positions and the soundstage will remain fixed in place, unaltered in width, height or depth (and you’ll hear plenty of each). With the half-bung fitted, the output from the port drops by 5dB, as you’d expect, and the peak output also drops in frequency down to 32Hz. Superb balanced sound. However, spreading the load of the low-frequencies across two drivers not only allows the use of smaller-diameter drivers, it also distributes the amplifier power between two voice-coils, rather than one, which means increased power-handling capability and, more importantly, reduced dynamic compression. It could be that this ‘puck’ is there to protect the tweeters during shipping—and it certainly does this very effectively—but I suspect the real reason it’s there is to protect the tweeters from damage while the speakers are on display in retail showrooms. We had to translate the text from Dutch, but to be fair, we think the vivid quotes say it all. Whereas ‘bespoke’ loudspeaker manufacturers buy the essential bipolar capacitors and high-power resistors for their crossover networks from distributors at premium prices, Dynaudio buys its capacitors and resistors direct from the manufacturers. It didn’t fool the dog though… but then no loudspeaker ever has! If a pair of Evoke 50s in a room doesn’t say “statement of intent”, we don’t know what does. So for fun (or because of cabin fever) I ran quick measurements to compare my Dynaudio Evoke 10s to my new Revel M16s. Find helpful customer reviews and review ratings for Dynaudio Evoke 50 Floorstanding Speaker (Each) (Black Gloss) at Amazon.com. The Evoke 10 itself is a very straightforward design. After years of experience of reviewing loudspeakers and being somewhat familiar with Dynaudio speakers in particular, I was expecting the stand-out feature of the Dynaudio Evoke 50s would be their midrange sound. According to the Alex Newman, one of the acoustic designers responsible for the Evoke series, the second dome enables better control of air pressure behind the fabric dome and because of this increased control, the company has been able to achieve an even-smoother frequency response from the tweeter. When you first unpack the Dynaudio Evoke 50 speakers, on the front of each cabinet you’ll find a bright yellow plastic puck right where the tweeter should be, attached via three tiny neodymium magnets. Hoe je ook luistert, het woord 'episch' zal op je lippen liggen. I tend often to use ‘Sampler’ CDs when auditioning, because it saves a whole lot of disc-swapping, and on Ana Caram’s contribution to Chesky’s Jazz Sampler Volume 1 (Meditation) I heard the superb clarity of her vocal inflections as well as I think I ever have. The ‘Hexis’ geometry Dynaudio developed specially for its Esotar3 tweeter—as used on the company’s Confidence range—is now fitted to the latest Dynaudio Evoke 50. Gebruik ze als onderdeel van een Dynaudio Evoke meerkanaals thuisbioscoopsysteem. The magnets are made from ferrite and ceramic. You’re likely already familiar with the principle of Doppler distortion, which describes how the speed of an object affects its perceived pitch. I use a Supernait, Naim CD5si and Linn LP12. As you can tell, I loved the sound of these speakers, and I think you will too. Needless to say, all of the foregoing means that you need to remove the pucks… and indeed the words ‘Remove Before Use’ are moulded into the yellow plastic of the puck, but I dare say that if you have children—or grandchildren—you, too, may be able to put the pucks to good use, so don’t just discard them! Dynaudio's engineers are very proud of it. Pedants with sharp eyes might point out that the trace is actually a little below the –3dB envelope between 42Hz and 52Hz, but the magnitude of the variation and the measurement variabilities at these frequencies mean that we can safely ignore this to arrive at the ‘overall’ response stated. The section of the trace above 900Hz is the gated high-frequency response of the speaker, without the grille fitted. Evoke 50 convinced with its transparent and spatial sound, innovative technology, the beautiful high-quality finishes, and a relatively simple load for amplifiers. but in the particular case of the Dynaudio Evoke 50, its unique double-dome structure would make such a repair challenging, to say the least. For the very few products used in its speakers that Dynaudio does not manufacture in-house, such as the capacitors and resistors used in its crossovers, for example, this Danish company is so large that it derives enormous benefits from the economies of scale. It isn’t the exact same tweeter, of course, but the most important design element is the same, which is that the 28mm fabric dome sits just on top of a hidden ‘inner dome’ in a geometry that Dynaudio calls a ‘Hexis’—and if you look carefully at the fabric dome, you can just see the dimpled surface of the sub-dome underneath.

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